1 00:00:00,000 --> 00:00:01,666 (crickets chirp) (cow moos) 2 00:00:01,666 --> 00:00:03,118 (glass breaks) 3 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 4 00:00:03,118 --> 00:00:05,785 (air whooshing) 5 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 6 00:00:20,643 --> 00:00:25,470 ♪ I'm gonna walk around Zion one of these mornings ♪ 7 00:00:25,470 --> 00:00:29,128 ♪ I'm gonna walk around Zion one of these mornings ♪ 8 00:00:29,128 --> 00:00:33,699 ♪ I'm gonna walk around Zion one of these mornings ♪ 9 00:00:33,699 --> 00:00:37,932 ♪ I'm gonna walk around Zion one of these mornings ♪ 10 00:00:37,932 --> 00:00:42,816 ♪ I'm gonna start troubles over one of these mornings ♪ 11 00:00:42,816 --> 00:00:46,666 ♪ I'm gonna start troubles over one of these mornings ♪ 12 00:00:46,666 --> 00:00:51,535 ♪ I'm gonna start troubles over one of these mornings ♪ 13 00:00:51,535 --> 00:00:54,405 ♪ I'm gonna start troubles over one of these mornings ♪ 14 00:00:54,405 --> 00:00:59,165 ♪ I'm gonna see my mother one of these mornings ♪ 15 00:00:59,165 --> 00:01:02,332 (rain splashing down) 16 00:01:16,451 --> 00:01:19,284 (thunder crashes) 17 00:01:54,065 --> 00:01:57,922 (footsteps sloshing on floor) 18 00:01:57,922 --> 00:01:58,755 - Look at you. 19 00:01:58,755 --> 00:01:59,593 Soaked to the skin. 20 00:02:00,960 --> 00:02:02,230 - Did you see? 21 00:02:02,230 --> 00:02:04,000 - Did I see what? 22 00:02:04,000 --> 00:02:04,833 - Nothing, sir. 23 00:02:08,962 --> 00:02:12,431 (doors slam shut) 24 00:02:12,431 --> 00:02:15,098 (pensive music) 25 00:02:21,602 --> 00:02:23,629 - [Narrator] In his bed, the writer rolled over 26 00:02:23,629 --> 00:02:25,360 and laid quite still. 27 00:02:25,360 --> 00:02:28,777 ♪ I lay quiet even still ♪ 28 00:02:30,130 --> 00:02:31,410 He had done some hard living 29 00:02:31,410 --> 00:02:33,115 and his heart flooded. 30 00:02:33,115 --> 00:02:37,370 ♪ I have done some hard living ♪ 31 00:02:37,370 --> 00:02:38,203 The idea got into his mind, 32 00:02:38,203 --> 00:02:40,453 that he would sometime die unexpectedly. 33 00:02:41,346 --> 00:02:46,346 ♪ My heart floods ♪ 34 00:02:47,646 --> 00:02:52,646 ♪ I know I will die in an unexpected way ♪ 35 00:02:54,259 --> 00:02:59,176 ♪ But I'm alive in my bed, perfectly still ♪ 36 00:03:01,790 --> 00:03:05,710 His body was old and not of much use anymore, 37 00:03:05,710 --> 00:03:08,260 but something inside of him was all together young. 38 00:03:09,270 --> 00:03:12,903 Perfectly still he lay, turning matters over in his mind, 39 00:03:14,000 --> 00:03:16,450 trying to make sense of what had happened to him. 40 00:03:17,481 --> 00:03:18,715 (typewriter keys clacking) 41 00:03:18,715 --> 00:03:21,548 ♪ Perfectly still ♪ 42 00:03:23,520 --> 00:03:26,793 He had counted the world's finest writers among his friends. 43 00:03:29,880 --> 00:03:31,423 He had been a mentor to many. 44 00:03:33,905 --> 00:03:38,640 ♪ I'm just like a bird, I am born ♪ 45 00:03:38,640 --> 00:03:40,280 He had given the blessing of success 46 00:03:40,280 --> 00:03:42,740 to the best-known writer in our time. 47 00:03:42,740 --> 00:03:44,840 But the younger writer had betrayed him so deeply 48 00:03:44,840 --> 00:03:46,890 that he could not bear to think about it. 49 00:03:48,800 --> 00:03:52,070 The younger writer's work would be remembered and revered, 50 00:03:52,070 --> 00:03:53,827 while his own best work, 51 00:03:53,827 --> 00:03:57,003 "The Book of the Grotesque," remained unpublished. 52 00:03:58,120 --> 00:04:01,150 The writer never found the courage to seek a publisher, 53 00:04:01,150 --> 00:04:02,850 but I saw the book once 54 00:04:02,850 --> 00:04:05,975 and it made an indelible impression on my mind. 55 00:04:05,975 --> 00:04:10,060 ♪ In the beginning when the word was young ♪ 56 00:04:10,060 --> 00:04:11,760 And though now he blended one place 57 00:04:11,760 --> 00:04:13,143 with another in his memory, 58 00:04:14,720 --> 00:04:17,450 the places where his life changed course 59 00:04:17,450 --> 00:04:19,288 still haunt his mind. 60 00:04:19,288 --> 00:04:21,997 ♪ But no one, no one, no one really knew ♪ 61 00:04:21,997 --> 00:04:23,478 ♪ If his name was true ♪ 62 00:04:23,478 --> 00:04:26,396 ♪ Perfectly still ♪ 63 00:04:26,396 --> 00:04:28,979 ♪ I lay, I lay ♪ 64 00:04:30,536 --> 00:04:34,203 (motorcycle engine purring) 65 00:04:44,530 --> 00:04:46,650 - Everything springs outta nothing 66 00:04:46,650 --> 00:04:49,610 and flies forward to infinity. 67 00:04:49,610 --> 00:04:51,400 Who could figure this out? 68 00:04:51,400 --> 00:04:53,420 The one who made this shit. 69 00:04:53,420 --> 00:04:56,613 And He, and He alone, is going to get it. 70 00:04:57,610 --> 00:05:01,640 It's true, a little philosophy makes you an atheist. 71 00:05:01,640 --> 00:05:06,370 But go deeper and your mind moves to religion. 72 00:05:06,370 --> 00:05:08,290 When you look at the chain of things, 73 00:05:08,290 --> 00:05:11,020 you start talking providence, 74 00:05:11,020 --> 00:05:13,913 you start talking deity. 75 00:05:19,540 --> 00:05:22,080 - [Narrator] He had known people, many people, 76 00:05:22,080 --> 00:05:23,983 known them in a peculiarly intimate way, 77 00:05:23,983 --> 00:05:25,250 that was different from the way 78 00:05:25,250 --> 00:05:26,803 in which you and I know people. 79 00:05:27,690 --> 00:05:30,080 When he wrote about them now, he did not know 80 00:05:30,080 --> 00:05:33,540 if he was drawing from memories or dreams. 81 00:05:33,540 --> 00:05:35,860 People were truly a blend in his mind, 82 00:05:35,860 --> 00:05:40,661 some blossoming, silent, stark, and beautiful. 83 00:05:40,661 --> 00:05:43,319 ♪ Perfectly still ♪ 84 00:05:43,319 --> 00:05:46,652 ♪ I lay perfectly still ♪ 85 00:05:48,580 --> 00:05:51,363 Others adrift, passing into oblivion, 86 00:05:52,420 --> 00:05:53,420 utterly lost to him. 87 00:05:54,329 --> 00:05:57,162 ♪ Perfectly still ♪ 88 00:06:00,044 --> 00:06:03,044 (people chattering) 89 00:06:13,840 --> 00:06:15,323 They were all grotesque, 90 00:06:16,160 --> 00:06:18,550 all of the men and women the writer had ever known 91 00:06:18,550 --> 00:06:19,923 had become grotesque. 92 00:06:29,490 --> 00:06:31,900 Although Elizabeth Walker was still young, 93 00:06:31,900 --> 00:06:34,633 some obscure disease had taken the fire from her. 94 00:06:35,910 --> 00:06:37,490 When she was able to be about, 95 00:06:37,490 --> 00:06:39,210 she did the work of a chambermaid, 96 00:06:39,210 --> 00:06:42,713 among beds soiled by the slumbers of fat traveling men. 97 00:06:45,150 --> 00:06:47,000 Her husband, Tom Walker, 98 00:06:47,000 --> 00:06:48,900 tried to put the wife out of his mind. 99 00:06:51,320 --> 00:06:53,990 The place in which he had begun his working life 100 00:06:53,990 --> 00:06:56,700 so hopefully, was now a mere ghost 101 00:06:56,700 --> 00:06:58,503 of what a boarding house should be. 102 00:07:09,360 --> 00:07:12,413 Tom Walker always thought of himself as a successful man, 103 00:07:13,580 --> 00:07:14,413 although nothing he had done 104 00:07:14,413 --> 00:07:16,203 had ever turned out successfully. 105 00:07:17,640 --> 00:07:19,220 As he went spruce and businesslike 106 00:07:19,220 --> 00:07:21,200 through the streets of Chicago Heights, 107 00:07:21,200 --> 00:07:24,010 he sometimes stopped and turned quickly about 108 00:07:24,010 --> 00:07:26,294 as though fearing that the spirit of the house, 109 00:07:26,294 --> 00:07:28,923 and of the woman, would follow him even here. 110 00:08:06,660 --> 00:08:07,743 - Even though I die, 111 00:08:09,504 --> 00:08:12,423 I will in some way keep Daveed away from you. 112 00:08:16,225 --> 00:08:18,110 I ask God for the privilege. 113 00:08:18,110 --> 00:08:20,033 No, I demand it. 114 00:08:21,390 --> 00:08:24,233 God, you can beat me with your fist. 115 00:08:25,540 --> 00:08:27,663 I'll take any blow you deliver, 116 00:08:27,663 --> 00:08:31,573 just as long as you allow him to express something. 117 00:08:32,917 --> 00:08:35,000 Something for both of us. 118 00:08:39,757 --> 00:08:44,757 ♪ There are times that I feel so sad inside ♪ 119 00:08:50,757 --> 00:08:55,135 ♪ 'Cause I don't know which way to go ♪ 120 00:08:55,135 --> 00:09:00,135 ♪ I really wonder, yeah ♪ 121 00:09:00,266 --> 00:09:03,647 ♪ And though it came, you'd say to me ♪ 122 00:09:03,647 --> 00:09:05,665 ♪ Is this real ♪ 123 00:09:05,665 --> 00:09:10,665 ♪ Did I ever have a choice ♪ 124 00:09:11,964 --> 00:09:16,661 ♪ 'Cause a dream just doesn't come ♪ 125 00:09:16,661 --> 00:09:20,221 ♪ A dream that never comes ♪ 126 00:09:20,221 --> 00:09:25,103 ♪ A dream that never comes ♪ 127 00:09:25,103 --> 00:09:29,634 ♪ A change is coming ♪ 128 00:09:29,634 --> 00:09:32,717 ♪ A change must come ♪ 129 00:09:34,430 --> 00:09:36,140 - [Narrator] Chicago Heights is an excerpt 130 00:09:36,140 --> 00:09:39,730 that stands 33 miles outside the shadows of the skyscrapers 131 00:09:39,730 --> 00:09:42,700 of the city that is its namesake. 132 00:09:42,700 --> 00:09:45,060 City gives way to country here, 133 00:09:45,060 --> 00:09:47,570 residents of the Heights live under the flight path 134 00:09:47,570 --> 00:09:51,052 of a constant stream of jets departing Midway Airport. 135 00:09:51,052 --> 00:09:54,634 ♪ Don't know which way to go ♪ 136 00:09:54,634 --> 00:09:59,186 ♪ But I had to fall, yeah, yeah ♪ 137 00:09:59,186 --> 00:10:04,186 ♪ I can't go on, and on, and on, and on ♪ 138 00:10:04,740 --> 00:10:09,740 ♪ Living this way ♪ 139 00:10:10,081 --> 00:10:12,650 ♪ 'Cause a change has got to come ♪ 140 00:10:12,650 --> 00:10:15,450 The grotesque were not at all horrible. 141 00:10:15,450 --> 00:10:19,490 There was the mother, the father, the son, the teacher. 142 00:10:19,490 --> 00:10:21,283 One of them was a man of God. 143 00:10:24,060 --> 00:10:27,560 Pastor Curtis Hartman was a man filled with the spirit, 144 00:10:27,560 --> 00:10:31,783 but embattled by forces he could not comprehend or control. 145 00:10:33,110 --> 00:10:37,800 - Give me the strength and courage to do Your work, Lord. 146 00:10:37,800 --> 00:10:38,633 Amen. 147 00:10:48,784 --> 00:10:53,784 In the beginning, when the world was young, 148 00:10:53,950 --> 00:10:55,993 there were a great many thoughts, 149 00:10:56,830 --> 00:11:00,683 but no such thing as a truth. 150 00:11:13,930 --> 00:11:18,053 Does the flame of your spirit really burn in me, O Lord? 151 00:11:23,250 --> 00:11:26,473 Give to me the strong sweet current of Thy power. 152 00:11:28,460 --> 00:11:31,333 Make Thyself the thunder in my voice, in my soul. 153 00:11:32,260 --> 00:11:35,401 Make the people tremble before the spirit of Thee. 154 00:11:35,401 --> 00:11:37,768 My God, make manifest in me... 155 00:11:37,768 --> 00:11:40,851 (bedsheets rustling) 156 00:11:53,066 --> 00:11:54,240 (glass bangs on table) 157 00:11:54,240 --> 00:11:55,405 Thank you, dear. 158 00:11:55,405 --> 00:11:56,970 - My daddy will be here in a few days, 159 00:11:56,970 --> 00:11:59,293 so I'd like us to make sure to keep the house clean. 160 00:12:00,290 --> 00:12:02,313 - Yeah. Yes, dear, that's very nice. 161 00:12:06,034 --> 00:12:09,534 (pen scratching on paper) 162 00:12:20,810 --> 00:12:23,023 Man made the truths himself. 163 00:12:26,020 --> 00:12:30,933 Each truth was a composite of a great many vague thoughts. 164 00:12:33,500 --> 00:12:35,733 All about in the world were the truths, 165 00:12:37,210 --> 00:12:39,253 and they were all beautiful. 166 00:12:57,172 --> 00:12:58,005 (book slams shut) 167 00:12:58,005 --> 00:12:58,838 Jesus! 168 00:12:58,838 --> 00:13:01,755 (papers crumpling) 169 00:13:05,732 --> 00:13:08,880 (footsteps on floor) 170 00:13:08,880 --> 00:13:10,807 - Mom feeling any better? 171 00:13:12,923 --> 00:13:15,440 - [Elizabeth] You are here way too much. 172 00:13:15,440 --> 00:13:17,773 You need to go downtown every now and then. 173 00:13:18,780 --> 00:13:20,860 - [Nathan] We went to Taste of Chicago. 174 00:13:20,860 --> 00:13:24,423 - [Elizabeth] You need to go downtown and look for a job. 175 00:13:26,670 --> 00:13:27,503 Nathan! 176 00:13:28,670 --> 00:13:29,960 I know you hear me, son. 177 00:13:34,790 --> 00:13:35,873 - Good night. 178 00:13:39,591 --> 00:13:41,181 (door clicks shut) 179 00:13:41,181 --> 00:13:43,848 (clock ticking) 180 00:13:48,436 --> 00:13:51,269 (Elizabeth cries) 181 00:13:53,620 --> 00:13:58,620 - There is the truth of virginity, and the truth of passion, 182 00:14:01,670 --> 00:14:06,670 of thrift and profligacy, of carelessness and abandon. 183 00:14:09,800 --> 00:14:11,750 Hundreds and hundreds are the truths, 184 00:14:11,750 --> 00:14:13,884 and they are all beautiful. 185 00:14:13,884 --> 00:14:15,705 (choir vocalizing) 186 00:14:15,705 --> 00:14:18,135 And then the people come, 187 00:14:18,135 --> 00:14:20,560 and each one of them, as they appear, 188 00:14:20,560 --> 00:14:23,330 snatches up one of the truths. 189 00:14:23,330 --> 00:14:26,553 And some, who are quite strong, snatch up a dozen of them. 190 00:14:29,590 --> 00:14:34,453 When a man takes a truth and calls it his truth, 191 00:14:35,480 --> 00:14:40,480 and tries to live his life by it, he becomes a grotesque, 192 00:14:40,670 --> 00:14:43,413 and the truth he embraces becomes a falsehood. 193 00:14:47,500 --> 00:14:50,933 And it's the truths that make the people grotesques. 194 00:14:57,210 --> 00:14:58,850 - [Narrator] The pastor wondered, 195 00:14:58,850 --> 00:15:01,720 even as he was carried by the spirit of the Lord, 196 00:15:01,720 --> 00:15:03,940 if the neighbor woman could hear him, 197 00:15:03,940 --> 00:15:07,310 if his voice was carrying a message into her soul. 198 00:15:07,310 --> 00:15:10,370 Someday, he felt, he would reach her. 199 00:15:10,370 --> 00:15:13,327 Yet he knew she was very far gone in her sin. 200 00:15:18,071 --> 00:15:20,727 (Elizabeth breathing laboriously) 201 00:15:20,727 --> 00:15:23,394 (clock ticking) 202 00:16:04,948 --> 00:16:07,281 (dog barks) 203 00:16:13,720 --> 00:16:15,270 - There's nothing for you here. 204 00:16:17,720 --> 00:16:18,920 You need to go downtown. 205 00:16:31,322 --> 00:16:34,822 (pen scratching on paper) 206 00:16:46,130 --> 00:16:49,013 - We must take hold of the devil's desire. 207 00:16:51,200 --> 00:16:53,597 We must break our lust like we break in a new horse. 208 00:16:53,597 --> 00:16:56,870 - [Narrator] In the soul of the minister a struggle awoke. 209 00:16:56,870 --> 00:16:59,542 For wanting to reach the ears of Kate Swift, 210 00:16:59,542 --> 00:17:03,140 and through his sermons to delve into her soul. 211 00:17:03,140 --> 00:17:05,710 He began to want, to also to look again 212 00:17:05,710 --> 00:17:06,883 at her elegant figure. 213 00:17:11,822 --> 00:17:15,989 (Elizabeth breathing laboriously) 214 00:17:26,523 --> 00:17:30,023 (pen scratching on paper) 215 00:17:37,973 --> 00:17:39,806 - There was a mission. 216 00:17:40,683 --> 00:17:45,516 You know, I came here to start something new, and I can't. 217 00:17:48,200 --> 00:17:49,560 There's a reason I... 218 00:17:53,120 --> 00:17:55,867 Well, something else, you know. 219 00:17:58,930 --> 00:18:00,606 There's a woman coming. 220 00:18:00,606 --> 00:18:03,356 (birds chirping) 221 00:18:04,363 --> 00:18:08,113 Aye, Miss Tracy, she did not come in my time. 222 00:18:09,400 --> 00:18:10,550 You might be the woman. 223 00:18:12,190 --> 00:18:15,260 Oh, it would be like fate to stand here in your presence, 224 00:18:15,260 --> 00:18:17,220 for once on a night like this, 225 00:18:17,220 --> 00:18:19,653 when you are just only a child. 226 00:18:22,480 --> 00:18:25,170 (pensive music) 227 00:18:25,170 --> 00:18:27,370 All of Nathan Walker's experiences with girls 228 00:18:27,370 --> 00:18:28,433 had been furtive. 229 00:18:33,170 --> 00:18:35,340 He believed he was in love with Helen White, 230 00:18:35,340 --> 00:18:36,863 a girl he knew in his church. 231 00:18:38,251 --> 00:18:41,800 ♪ Nobody, nobody, nobody knows ♪ 232 00:18:41,800 --> 00:18:43,990 He knew Louise Trunnion better, 233 00:18:43,990 --> 00:18:46,701 as she had stayed for a time in New Walker House. 234 00:18:46,701 --> 00:18:50,618 ♪ Who am I, who am I, who am I ♪ 235 00:18:52,360 --> 00:18:54,003 - Nathan! 236 00:18:54,003 --> 00:18:55,082 Nathan, hide me, please. (laughs) 237 00:18:55,082 --> 00:19:00,082 ♪ Nobody, nobody, nobody knows ♪ 238 00:19:01,602 --> 00:19:06,602 ♪ The last soul on a summer night ♪ 239 00:19:09,285 --> 00:19:14,285 ♪ The last soul on a summer night ♪ 240 00:19:16,973 --> 00:19:21,973 ♪ Nobody, nobody, nobody knows ♪ 241 00:19:24,635 --> 00:19:29,235 ♪ Who am I, who am I, who am I ♪ 242 00:19:29,235 --> 00:19:32,235 (door chime clangs) 243 00:19:35,360 --> 00:19:36,560 - Evening, Mr. Williams. 244 00:19:37,850 --> 00:19:39,970 - [Narrator] Nathan feared women a little. 245 00:19:39,970 --> 00:19:41,840 The fear sprang from a story told him 246 00:19:41,840 --> 00:19:44,973 by Mr. Wash Williams, another boarder in his house. 247 00:19:47,430 --> 00:19:48,680 - Heard you were married. 248 00:19:51,123 --> 00:19:53,223 S'pose you were and your wife's dead, huh? 249 00:19:54,540 --> 00:19:55,913 - All women are dead. 250 00:19:56,910 --> 00:20:00,890 My mother, your mother, the mother's we make. 251 00:20:00,890 --> 00:20:02,370 - [Narrator] Rumors had it that Wash Williams 252 00:20:02,370 --> 00:20:06,130 was such a tortured soul that he had set fire to himself. 253 00:20:06,130 --> 00:20:08,890 To Nathan, he seemed at one moment hideous. 254 00:20:08,890 --> 00:20:10,730 In the next, handsome. 255 00:20:10,730 --> 00:20:12,920 At one moment, blindly hateful. 256 00:20:12,920 --> 00:20:15,503 In the next, eloquent, poetic. 257 00:20:17,070 --> 00:20:19,030 - On the day I got married, 258 00:20:19,030 --> 00:20:20,913 I got a promotion and a raise. 259 00:20:22,150 --> 00:20:24,380 We got a house and I was gonna pay it off 260 00:20:24,380 --> 00:20:26,186 over several years. 261 00:20:26,186 --> 00:20:27,353 I was in love. 262 00:20:28,370 --> 00:20:31,493 I saved my virginity until after I got married. 263 00:20:33,860 --> 00:20:35,760 - Diggin' in your dirt again, are you? 264 00:20:37,620 --> 00:20:39,013 - Seeds. 265 00:20:39,013 --> 00:20:42,013 (paper bag rustles) 266 00:20:42,854 --> 00:20:45,604 (birds chirping) 267 00:20:48,970 --> 00:20:49,823 I loved her. 268 00:20:51,410 --> 00:20:53,800 Me? I don't claim not to be a fool. 269 00:20:53,800 --> 00:20:55,187 I still love her. 270 00:21:00,400 --> 00:21:03,350 - [Margot] Watch your hands, honey, I just took a shower. 271 00:21:03,350 --> 00:21:06,133 - I found out she had lovers, three bastard lovers. 272 00:21:08,450 --> 00:21:12,300 I didn't say a goddamn thing! 273 00:21:12,300 --> 00:21:14,763 I just took her to her mother's house. 274 00:21:16,060 --> 00:21:19,220 I had money in the bank and I gave her that. 275 00:21:19,220 --> 00:21:22,490 Her mother sent for me, she called me on the phone 276 00:21:22,490 --> 00:21:24,630 and told me to come to her house in Rockford. 277 00:21:24,630 --> 00:21:28,217 Her mother took me in the living room and just left me. 278 00:21:28,217 --> 00:21:30,563 And my body was just trembling. 279 00:21:31,840 --> 00:21:35,023 I hated the man that I thought had wronged her. 280 00:21:36,341 --> 00:21:37,952 I was tired of living alone 281 00:21:37,952 --> 00:21:40,000 and I just wanted her back. 282 00:21:40,000 --> 00:21:43,500 I thought if she just reached out 283 00:21:43,500 --> 00:21:45,943 and touched me with her hand, I'd faint. 284 00:21:47,860 --> 00:21:49,173 I ached to forgive. 285 00:21:54,220 --> 00:21:55,484 Then her mother made her. 286 00:21:55,484 --> 00:21:56,504 - [Margot's Mother] The Neighbors and everybody in church 287 00:21:56,504 --> 00:21:57,777 will be out there! - No. 288 00:21:57,777 --> 00:21:58,946 - Her mother made her. 289 00:21:58,946 --> 00:22:00,317 - You goin' out there! - No! No! 290 00:22:00,317 --> 00:22:02,817 (loud strike) 291 00:22:34,261 --> 00:22:37,761 (cord slams to the floor) 292 00:22:40,202 --> 00:22:41,774 (door slams) 293 00:22:41,774 --> 00:22:44,024 - [Margot's Mother] No! No! 294 00:22:47,633 --> 00:22:49,473 - I know all about the woman, 295 00:22:50,460 --> 00:22:52,263 though she's never crossed my path. 296 00:22:54,080 --> 00:22:58,160 I know all about her struggles and her defeats. 297 00:22:58,160 --> 00:23:01,743 Out of her defeats has been born a new quality in woman. 298 00:23:03,570 --> 00:23:07,823 I have a name for it, I call her Calla. 299 00:23:10,120 --> 00:23:12,640 Made up the name when I was a true dreamer, 300 00:23:12,640 --> 00:23:15,393 before my body became vile. 301 00:23:19,085 --> 00:23:23,087 It means the quality of being strong, to be loved. 302 00:23:28,420 --> 00:23:29,913 Be Calla, little one. 303 00:23:32,180 --> 00:23:34,323 Dare to be strong and courageous. 304 00:23:37,330 --> 00:23:39,963 That is the road, venture anything. 305 00:23:41,800 --> 00:23:44,063 Be brave enough to dare to be loved. 306 00:23:45,220 --> 00:23:50,220 Be something more than man or woman, be Calla. 307 00:23:54,310 --> 00:23:59,310 Ah, I haven't lost my faith, I brought it to the place 308 00:24:00,520 --> 00:24:04,893 where I realize my faith is too unfaithful. 309 00:24:07,929 --> 00:24:10,596 (wood creaking) 310 00:24:11,857 --> 00:24:15,090 (birds chirping) 311 00:24:15,090 --> 00:24:16,783 The days are long here. 312 00:24:23,008 --> 00:24:28,008 ♪ Nobody, nobody, nobody knows ♪ 313 00:24:30,740 --> 00:24:35,740 ♪ Who am I, who am I, who am I ♪ 314 00:24:38,500 --> 00:24:43,500 ♪ Nobody, nobody, nobody knows ♪ 315 00:24:46,055 --> 00:24:50,222 ♪ The last soul on a summer night ♪ 316 00:24:52,980 --> 00:24:54,870 - [Narrator] Although no one in Chicago Heights 317 00:24:54,870 --> 00:24:56,080 would have suspected it, 318 00:24:56,080 --> 00:24:59,200 Kate Swift's life had been very adventurous. 319 00:24:59,200 --> 00:25:00,533 It was still adventurous. 320 00:25:01,930 --> 00:25:04,490 Day by day she worked in the classroom, 321 00:25:04,490 --> 00:25:06,690 but on weekends she was 30 miles north, 322 00:25:06,690 --> 00:25:09,393 on the streets of Chicago, walking alone. 323 00:25:10,810 --> 00:25:13,283 Hope and desire fought within her. 324 00:25:15,150 --> 00:25:17,570 In the five years since she had come back from her travels 325 00:25:17,570 --> 00:25:19,900 to settle in the Heights and become a teacher, 326 00:25:19,900 --> 00:25:21,700 she had been compelled to go downtown 327 00:25:21,700 --> 00:25:23,300 and walk half through the night. 328 00:25:28,078 --> 00:25:28,911 - These little epiphinal moments 329 00:25:28,911 --> 00:25:30,720 - [Narrator] In her classroom at State University, 330 00:25:30,720 --> 00:25:32,730 she was cold, stern, and far too honest. 331 00:25:32,730 --> 00:25:35,792 - Nothing beyond right now, - Yet in an odd way, 332 00:25:35,792 --> 00:25:36,760 very close to her students. 333 00:25:36,760 --> 00:25:40,103 - Not living, not dying, nothing. 334 00:25:42,090 --> 00:25:44,240 Who are you going to be? 335 00:25:44,240 --> 00:25:45,163 Malcolm? 336 00:25:46,500 --> 00:25:47,403 Martin? 337 00:25:48,490 --> 00:25:49,323 Reverend Right? 338 00:25:50,590 --> 00:25:51,973 Mr. Wrong? 339 00:25:56,100 --> 00:25:58,160 - [Narrator] Kate had known her share of men, 340 00:25:58,160 --> 00:25:59,810 but their company generally tended 341 00:25:59,810 --> 00:26:01,573 to make her miss her solitude. 342 00:26:08,700 --> 00:26:12,400 - Nathan Walker has written something brilliant. 343 00:26:12,400 --> 00:26:14,130 - [Narrator] Kate Swift's mind was ablaze 344 00:26:14,130 --> 00:26:15,710 with thoughts of Nathan Walker. 345 00:26:15,710 --> 00:26:16,798 - If he sets his mind. 346 00:26:16,798 --> 00:26:18,260 - [Narrator] In something he had written as a student 347 00:26:18,260 --> 00:26:21,360 she thought she had recognized a spark of genius 348 00:26:21,360 --> 00:26:23,170 and wanted to blow on the spark. 349 00:26:23,170 --> 00:26:25,560 - Nathan, why don't you come up here 350 00:26:25,560 --> 00:26:27,500 and share some of your story? 351 00:26:27,500 --> 00:26:30,117 It's called "The Torrents of Summer." 352 00:26:35,157 --> 00:26:38,407 (Nathan clears throat) 353 00:26:42,930 --> 00:26:45,760 - Three days is too goddamn long 354 00:26:45,760 --> 00:26:48,513 for a boy not to visit his sick mother. 355 00:27:25,370 --> 00:27:27,158 - [Nathan] Dad, what's wrong with that? 356 00:27:27,158 --> 00:27:29,018 This is what I like to do. 357 00:27:29,018 --> 00:27:31,484 - [Tom] You can't make a living writing, Nathan. 358 00:27:31,484 --> 00:27:34,364 - [Nathan] I can be a writer. 359 00:27:34,364 --> 00:27:37,005 You gotta work with your hands and your mind. 360 00:27:37,005 --> 00:27:39,198 Writing books? You don't make money off that. 361 00:27:39,198 --> 00:27:41,207 Nobody I know makes money off of that. 362 00:27:41,207 --> 00:27:44,038 (feet shuffling) 363 00:27:44,038 --> 00:27:45,433 - [Nathan] That's what I like to do. 364 00:27:45,433 --> 00:27:47,530 - Nathan, you gotta wake up. 365 00:27:47,530 --> 00:27:49,790 You go on for hours without hearing when you're spoken to. 366 00:27:49,790 --> 00:27:51,110 What the hell's bothering you? 367 00:27:51,110 --> 00:27:53,277 - [Nathan] I just wanna be a writer. 368 00:27:53,277 --> 00:27:54,510 - You'll get over it. 369 00:27:54,510 --> 00:27:55,343 You're not a fool. 370 00:27:55,343 --> 00:27:57,793 You're Tom Walker's son and you'll wake up. 371 00:27:59,211 --> 00:28:02,388 (door slams) 372 00:28:02,388 --> 00:28:05,048 (footstep on floor) 373 00:28:05,048 --> 00:28:07,881 (heavy breathing) 374 00:28:09,820 --> 00:28:11,987 - I've gotta do something. 375 00:28:14,343 --> 00:28:17,740 There's something threatening my boy 376 00:28:17,740 --> 00:28:19,753 and I gotta stop it. 377 00:28:22,958 --> 00:28:24,458 How dare that man? 378 00:28:26,028 --> 00:28:30,445 I thought they've got something special between them. 379 00:28:31,479 --> 00:28:35,062 (bicycle wheel ratcheting) 380 00:28:37,078 --> 00:28:39,661 (somber music) 381 00:28:51,858 --> 00:28:56,233 ♪ Nobody, nobody, nobody knows ♪ 382 00:28:56,233 --> 00:28:58,400 - It must be so exciting. 383 00:28:58,400 --> 00:28:59,637 You get to go all around the world 384 00:28:59,637 --> 00:29:02,030 and see all different kinds of people. 385 00:29:02,030 --> 00:29:03,930 - It's really not like that. 386 00:29:03,930 --> 00:29:06,060 It's just as dull as can be. 387 00:29:06,060 --> 00:29:08,460 Actually, I'm only doing it until I move back to Michigan 388 00:29:08,460 --> 00:29:11,360 and then I'm moving back in with my parents. 389 00:29:11,360 --> 00:29:14,890 You know, we all need something magical in our lives, 390 00:29:14,890 --> 00:29:16,848 I hope you get your magic. 391 00:29:16,848 --> 00:29:20,550 ♪ The last soul on a summer night ♪ 392 00:29:20,550 --> 00:29:21,850 - [Narrator] In her younger years, 393 00:29:21,850 --> 00:29:24,530 Elizabeth had her share of adventures. 394 00:29:24,530 --> 00:29:27,360 Many of them in a forest of Christmas trees 395 00:29:27,360 --> 00:29:30,263 in summer storage under Pastor Hartman's church. 396 00:29:31,310 --> 00:29:36,310 - Someday, I'm gonna travel around the world, just like you. 397 00:29:36,329 --> 00:29:37,162 - Of course you will. 398 00:29:39,136 --> 00:29:40,719 - That was so good. 399 00:29:44,827 --> 00:29:46,985 (Elizabeth moans) 400 00:29:46,985 --> 00:29:51,985 ♪ Nobody, nobody, nobody knows ♪ 401 00:29:54,660 --> 00:29:58,768 ♪ The last soul on a summer night ♪ 402 00:29:58,768 --> 00:30:00,700 ♪ On a summer night ♪ 403 00:30:00,700 --> 00:30:03,200 - [Narrator] Her adventures ended with Tom Walker. 404 00:30:04,380 --> 00:30:05,213 - What's wrong? 405 00:30:07,230 --> 00:30:09,977 - It's like you suddenly became a little boy. 406 00:30:11,006 --> 00:30:14,985 When did you become a teen? (laughs) 407 00:30:14,985 --> 00:30:17,376 ♪ Nobody, nobody knows ♪ 408 00:30:17,376 --> 00:30:20,272 ♪ Who am I, Who am I, who am I ♪ 409 00:30:20,272 --> 00:30:25,154 ♪ Oh, oh, oh ♪ 410 00:30:25,154 --> 00:30:30,154 ♪ Nobody, nobody, nobody knows ♪ 411 00:30:32,540 --> 00:30:37,540 ♪ The last soul on a summer night ♪ 412 00:30:40,351 --> 00:30:44,518 ♪ The last soul on a summer night ♪ 413 00:30:48,389 --> 00:30:51,389 (Elizabeth screams) 414 00:30:52,285 --> 00:30:56,452 ♪ The last soul on a summer night ♪ 415 00:30:58,468 --> 00:30:59,496 (knock on door) 416 00:30:59,496 --> 00:31:00,960 (scissors clatter to floor) 417 00:31:00,960 --> 00:31:01,793 - Just a minute. 418 00:31:08,790 --> 00:31:10,480 - I'm going to get out of here. 419 00:31:10,480 --> 00:31:11,860 I don't know where I'm gonna go, 420 00:31:11,860 --> 00:31:12,850 or what I'm gonna do, 421 00:31:12,850 --> 00:31:14,633 but I'm going away. 422 00:31:15,480 --> 00:31:20,103 - So, you gonna go downtown and make money. 423 00:31:24,120 --> 00:31:26,650 - I guess I can't make you understand. 424 00:31:26,650 --> 00:31:29,799 I wish I could, but there's just no use. 425 00:31:29,799 --> 00:31:34,100 I just want to go away and watch people and think. 426 00:31:34,100 --> 00:31:35,253 I wanna be a writer. 427 00:31:37,840 --> 00:31:39,430 I suppose it won't happen for a year or two, 428 00:31:39,430 --> 00:31:41,030 but I've been thinking about it. 429 00:31:43,130 --> 00:31:45,397 For sure, I'll go away and I'll be a writer. 430 00:32:00,690 --> 00:32:02,965 ♪ You don't have to leave Chicago ♪ 431 00:32:02,965 --> 00:32:07,345 ♪ I don't know, ya, ah ♪ 432 00:32:07,345 --> 00:32:08,434 ♪ Just gotta leave you ♪ 433 00:32:08,434 --> 00:32:10,729 - [Singer] Hey, let's cut that again 434 00:32:10,729 --> 00:32:13,433 'cause I'm losing my rhythm. 435 00:32:13,433 --> 00:32:14,901 (train rails clattering) 436 00:32:14,901 --> 00:32:17,068 Ready, let's try it again. 437 00:32:20,483 --> 00:32:22,770 ♪ You don't have to leave Chicago ♪ 438 00:32:22,770 --> 00:32:24,826 ♪ I don't know ♪ 439 00:32:24,826 --> 00:32:26,890 ♪ But you gotta make it ♪ 440 00:32:26,890 --> 00:32:28,648 ♪ You gotta leave you ♪ 441 00:32:28,648 --> 00:32:32,435 ♪ Yeah, oh, you don't have to leave Chicago ♪ 442 00:32:32,435 --> 00:32:34,465 ♪ I don't know ♪ 443 00:32:34,465 --> 00:32:36,586 ♪ You gotta make it, y'all ♪ 444 00:32:36,586 --> 00:32:37,605 ♪ You gotta leave you ♪ 445 00:32:37,605 --> 00:32:39,620 ♪ Come on, say it one more time ♪ 446 00:32:39,620 --> 00:32:41,807 ♪ You don't have to leave Chicago ♪ 447 00:32:41,807 --> 00:32:44,135 ♪ I don't know ♪ 448 00:32:44,135 --> 00:32:46,240 ♪ But you gotta make it ♪ 449 00:32:46,240 --> 00:32:47,337 ♪ You gotta leave you ♪ 450 00:32:47,337 --> 00:32:49,155 (drummers drumming) ♪ Let me tell you, yeah ♪ 451 00:32:49,155 --> 00:32:50,789 ♪ Just got to, oh ♪ 452 00:32:50,789 --> 00:32:52,496 ♪ Gotta leave you ♪ 453 00:32:52,496 --> 00:32:53,688 ♪ Oh, oh, oh ♪ 454 00:32:53,688 --> 00:32:55,527 ♪ Oh, yes, you gotta ♪ 455 00:32:55,527 --> 00:32:56,974 ♪ You got to leave you ♪ 456 00:32:56,974 --> 00:32:58,190 ♪ Yeah ♪ 457 00:32:58,190 --> 00:33:00,134 ♪ You got to, yeah, yeah ♪ 458 00:33:00,134 --> 00:33:01,242 ♪ Gotta leave you ♪ 459 00:33:01,242 --> 00:33:04,984 ♪ Oh. yeah ♪ 460 00:33:04,984 --> 00:33:09,609 ♪ You gotta leave you ♪ 461 00:33:09,609 --> 00:33:12,100 ♪ You got to leave you ♪ 462 00:33:12,100 --> 00:33:14,154 ♪ He's got to, yeah, yeah ♪ 463 00:33:14,154 --> 00:33:16,639 ♪ You gotta leave you ♪ 464 00:33:16,639 --> 00:33:18,609 ♪ You ain't got to leave, you know ♪ 465 00:33:18,609 --> 00:33:20,649 ♪ You gotta leave you ♪ 466 00:33:20,649 --> 00:33:22,616 ♪ Come on and let me hear you sing it loud ♪ 467 00:33:22,616 --> 00:33:23,449 ♪ Oh, yeah ♪ 468 00:33:23,449 --> 00:33:24,940 ♪ You gotta leave you ♪ 469 00:33:24,940 --> 00:33:25,968 ♪ Yeah, yeah ♪ 470 00:33:25,968 --> 00:33:27,224 ♪ Gotta leave you ♪ 471 00:33:27,224 --> 00:33:28,548 ♪ He's got to leave ♪ 472 00:33:28,548 --> 00:33:29,580 ♪ Gotta leave you ♪ 473 00:33:29,580 --> 00:33:30,959 ♪ Chicago Heights ♪ 474 00:33:30,959 --> 00:33:31,893 ♪ You gotta leave you ♪ 475 00:33:31,893 --> 00:33:33,409 ♪ Got to leave ♪ 476 00:33:33,409 --> 00:33:34,748 ♪ You gotta leave you ♪ 477 00:33:34,748 --> 00:33:36,998 ♪ Oh, yeah ♪ 478 00:33:37,991 --> 00:33:42,708 I like that. (laughs) 479 00:33:42,708 --> 00:33:46,291 (street people chattering) 480 00:33:49,196 --> 00:33:52,363 (rain splashing down) 481 00:33:59,987 --> 00:34:02,268 - Louise. 482 00:34:02,268 --> 00:34:07,268 Louise! 483 00:34:09,687 --> 00:34:12,127 - You think you're better than me? 484 00:34:12,127 --> 00:34:13,588 - No, Louise. 485 00:34:13,588 --> 00:34:15,838 I think you're real pretty. 486 00:34:39,436 --> 00:34:42,686 (glass bangs on table) 487 00:34:45,934 --> 00:34:48,351 (lips smack) 488 00:35:50,930 --> 00:35:53,513 (chair creaks) 489 00:35:57,770 --> 00:35:59,554 (chair slams floor) 490 00:35:59,554 --> 00:36:02,121 - Thank you, Jesus. Thank you, Jesus, thank you, Lord. 491 00:36:02,121 --> 00:36:03,246 Thank you, Jesus, thank you, Lord. 492 00:36:03,246 --> 00:36:05,460 It would be wrong for you 493 00:36:05,460 --> 00:36:10,460 to think of your minister as a man set aside, 494 00:36:10,760 --> 00:36:14,020 and intended by nature to be... 495 00:36:15,730 --> 00:36:17,433 Lead a blameless life. 496 00:36:20,670 --> 00:36:24,173 I am beset by all the temptations that assail you. 497 00:36:26,370 --> 00:36:27,473 I've been tempted. 498 00:36:29,210 --> 00:36:32,763 I have surrendered to temptation. 499 00:36:37,000 --> 00:36:39,940 But it was only by the hand of God, 500 00:36:39,940 --> 00:36:43,683 placed beneath my head, that I was raised up. 501 00:36:44,930 --> 00:36:46,623 And as He raised me, 502 00:36:47,870 --> 00:36:50,953 so also shall He raise you. 503 00:36:51,960 --> 00:36:52,933 Amen. 504 00:36:54,930 --> 00:36:59,690 Do not despair, for in your hour of sin, 505 00:36:59,690 --> 00:37:01,880 turn your eyes to the sky, 506 00:37:01,880 --> 00:37:06,880 and you will be saved again, and again, and again. 507 00:37:31,127 --> 00:37:34,044 (chair taps floor) 508 00:37:35,020 --> 00:37:39,023 I do not want to kiss Kate Swift's body. 509 00:37:42,335 --> 00:37:43,168 Oh. 510 00:37:44,488 --> 00:37:45,919 ♪ Wake up, yeah ♪ 511 00:37:45,919 --> 00:37:47,290 ♪ Children, wake up ♪ 512 00:37:47,290 --> 00:37:48,998 ♪ Wake up ♪ 513 00:37:48,998 --> 00:37:49,967 ♪ Wake up ♪ 514 00:37:49,967 --> 00:37:50,800 ♪ People ♪ 515 00:37:50,800 --> 00:37:51,916 ♪ People, wake up ♪ 516 00:37:51,916 --> 00:37:55,109 ♪ Walk into, yeah, the light ♪ 517 00:37:55,109 --> 00:37:57,278 ♪ Walk into the light ♪ 518 00:37:57,278 --> 00:38:01,488 ♪ Hey, yeah ♪ 519 00:38:01,488 --> 00:38:02,787 ♪ Oh ♪ 520 00:38:02,787 --> 00:38:03,903 ♪ Oh, oh ♪ 521 00:38:03,903 --> 00:38:05,070 What you want? 522 00:38:06,607 --> 00:38:08,973 I wanna fuck Kate Swift 523 00:38:08,973 --> 00:38:10,890 I wanna fuck Kate Swift 524 00:38:11,984 --> 00:38:13,363 No, no, no. 525 00:38:13,363 --> 00:38:15,963 I am a child of God and He must save me from myself. 526 00:38:18,320 --> 00:38:19,570 Please, Father, do not forget me. 527 00:38:19,570 --> 00:38:21,100 - [Narrator] The pastor pleaded now with God 528 00:38:21,100 --> 00:38:23,490 to give him the power to ignore his window. 529 00:38:23,490 --> 00:38:26,450 And to stay with his servant in his hour of need. 530 00:38:27,395 --> 00:38:30,690 - Humble servant in his hour of need. 531 00:38:30,690 --> 00:38:32,240 - If you wanna be a writer, 532 00:38:32,240 --> 00:38:34,840 you've gotta talk to your reader. 533 00:38:34,840 --> 00:38:38,920 Keep it simple, draw on nature. 534 00:38:38,920 --> 00:38:43,180 Think in circles, not in lines. 535 00:38:43,180 --> 00:38:47,793 Plot does not matter, character is everything. 536 00:38:48,680 --> 00:38:53,560 Writing is easy, all you do is sit and stare 537 00:38:53,560 --> 00:38:57,110 at a blank screen until the drops of blood 538 00:38:57,110 --> 00:38:59,163 form on your forehead. 539 00:39:01,600 --> 00:39:06,270 A writer must possess the courage to express 540 00:39:06,270 --> 00:39:09,253 what others fear to express. 541 00:39:11,223 --> 00:39:14,806 (rain patters on the roof) 542 00:39:19,870 --> 00:39:21,843 Make love to words. 543 00:39:26,130 --> 00:39:28,093 Make love to me. 544 00:39:32,470 --> 00:39:33,683 - Oh, Miss Swift. 545 00:39:34,893 --> 00:39:37,885 (birds chirping) 546 00:39:37,885 --> 00:39:40,552 (water pouring) 547 00:39:44,355 --> 00:39:47,188 - You think you're better than me? 548 00:39:55,406 --> 00:39:56,741 (Nathan moaning) 549 00:39:56,741 --> 00:39:57,741 - Oh, Helen. 550 00:40:03,299 --> 00:40:04,882 (rain pouring down) 551 00:40:13,853 --> 00:40:15,496 ♪ You gotta leave you ♪ 552 00:40:15,496 --> 00:40:18,578 ♪ Oh, yes, he's got to ♪ 553 00:40:18,578 --> 00:40:19,887 ♪ You gotta leave you ♪ 554 00:40:19,887 --> 00:40:21,263 ♪ Yeah ♪ 555 00:40:21,263 --> 00:40:22,489 ♪ He's got to ♪ 556 00:40:22,489 --> 00:40:23,322 ♪ Hey, hey ♪ 557 00:40:23,322 --> 00:40:24,155 ♪ You gotta leave you ♪ 558 00:40:24,155 --> 00:40:27,838 ♪ Oh, yeah, hey, hey ♪ 559 00:40:27,838 --> 00:40:29,380 ♪ You gotta leave you ♪ 560 00:40:29,380 --> 00:40:31,047 - You put her there. 561 00:40:35,033 --> 00:40:36,717 This is Your fault. 562 00:40:36,717 --> 00:40:37,930 What have I done? 563 00:40:37,930 --> 00:40:39,043 Why tempt me now? 564 00:40:40,234 --> 00:40:41,734 (wind blowing) 565 00:40:41,734 --> 00:40:43,560 I'm a married man. 566 00:40:43,560 --> 00:40:45,260 And my wife is ashamed of passion. 567 00:40:46,540 --> 00:40:47,440 I've been cheated. 568 00:40:49,000 --> 00:40:52,640 A man has a right to expect living passion 569 00:40:52,640 --> 00:40:53,753 and beauty in a woman. 570 00:40:54,910 --> 00:40:56,953 He has no right to forget he's an animal. 571 00:40:58,318 --> 00:41:00,666 I will see this woman. 572 00:41:00,666 --> 00:41:02,270 And I will let myself think thoughts 573 00:41:02,270 --> 00:41:03,670 I have never dared to think. 574 00:41:06,638 --> 00:41:10,380 - You don't have to leave Chicago Heights. 575 00:41:10,380 --> 00:41:13,767 You have to make Chicago Heights leave you. 576 00:41:22,771 --> 00:41:23,950 What's the use? 577 00:41:23,950 --> 00:41:27,463 It'll be 10 years before you begin to understand. 578 00:41:33,083 --> 00:41:34,567 Oh, God. 579 00:41:34,567 --> 00:41:36,650 Nathan, you're a student. 580 00:41:39,328 --> 00:41:40,161 No, no. 581 00:41:44,948 --> 00:41:48,365 - Professor Swift, what's wrong with you? 582 00:41:49,219 --> 00:41:50,629 Shit! 583 00:41:50,629 --> 00:41:51,962 Stupid! Come on. 584 00:42:13,108 --> 00:42:14,725 - Oh, yeah. 585 00:42:14,725 --> 00:42:15,642 Here we go. 586 00:42:31,303 --> 00:42:32,523 Oh, my God! 587 00:42:32,523 --> 00:42:33,356 Oh. 588 00:42:33,356 --> 00:42:34,189 Jesus! 589 00:42:49,190 --> 00:42:50,023 Oh. 590 00:42:51,023 --> 00:42:52,320 Oh, God. 591 00:42:52,320 --> 00:42:56,070 (feet shuffling on sidewalk) 592 00:43:05,936 --> 00:43:09,920 Son, the ways of God are beyond human... 593 00:43:09,920 --> 00:43:10,753 He's so... 594 00:43:11,780 --> 00:43:15,173 The Virgin Mary appeared to me in the body of a naked woman. 595 00:43:16,410 --> 00:43:17,560 Do you know Kate Swift? 596 00:43:18,610 --> 00:43:19,670 She might not be aware of it, 597 00:43:19,670 --> 00:43:21,720 but she is a messenger of God. 598 00:43:21,720 --> 00:43:23,323 Bearing a message of truth. 599 00:43:24,270 --> 00:43:25,670 Do you know what that means? 600 00:43:27,611 --> 00:43:28,958 I'm delivered. 601 00:43:28,958 --> 00:43:30,250 I'm delivered! 602 00:43:30,250 --> 00:43:31,440 Have no fear! 603 00:43:31,440 --> 00:43:33,813 I'll see you in church on Sunday. 604 00:43:35,199 --> 00:43:39,199 (footsteps tapping on sidewalk) 605 00:43:43,010 --> 00:43:44,950 - [Narrator] Nathan Walker rolled about in the bed 606 00:43:44,950 --> 00:43:48,470 on which he had laid in the afternoon hugging the pillow, 607 00:43:48,470 --> 00:43:50,710 and thinking thoughts of Kate Swift. 608 00:43:50,710 --> 00:43:52,310 The words of the pastor, 609 00:43:52,310 --> 00:43:54,950 who he'd thought had gone suddenly insane, 610 00:43:54,950 --> 00:43:56,550 rang in his ears. 611 00:43:56,550 --> 00:43:58,630 His eyes stared about the room 612 00:43:58,630 --> 00:44:02,030 and he tried to understand what had happened. 613 00:44:02,030 --> 00:44:05,040 Over and over he turned the matter in his mind. 614 00:44:05,040 --> 00:44:08,560 Hours passed and he began to think it must be time 615 00:44:08,560 --> 00:44:09,913 for another day to come. 616 00:44:11,300 --> 00:44:12,550 - Do you know Kate Swift? 617 00:44:13,510 --> 00:44:16,610 She might not be aware of it but she is a messenger of God, 618 00:44:16,610 --> 00:44:18,023 bearing a message of truth. 619 00:44:25,210 --> 00:44:26,450 - [Narrator] Then he slept. 620 00:44:26,450 --> 00:44:29,670 And in all Chicago Heights, he was the last soul 621 00:44:29,670 --> 00:44:31,613 on that summer night to go to sleep. 622 00:44:40,111 --> 00:44:42,576 (typewriter keys clacking) 623 00:44:42,576 --> 00:44:45,159 (somber music) 624 00:44:55,437 --> 00:45:00,437 ♪ Nobody, nobody, nobody knows ♪ 625 00:45:02,519 --> 00:45:07,519 ♪ Who am I, who am I, who am I ♪ 626 00:45:10,395 --> 00:45:15,395 ♪ Nobody, nobody, nobody knows ♪ 627 00:45:19,544 --> 00:45:24,544 ♪ The last soul on a summer night ♪ 628 00:45:25,991 --> 00:45:30,158 ♪ The last soul on a summer night ♪ 629 00:45:38,990 --> 00:45:42,790 He assured himself that of memory and the moment, 630 00:45:42,790 --> 00:45:45,410 those two distinct realms in time. 631 00:45:45,410 --> 00:45:46,903 Memory ranked first, 632 00:45:47,870 --> 00:45:50,870 no matter how fragmented and grotesque. 633 00:45:50,870 --> 00:45:53,440 Memory is a colander of experience 634 00:45:53,440 --> 00:45:57,363 through which only manifestations of the truth may pass. 635 00:46:02,175 --> 00:46:06,008 (wind blowing through leaves) 636 00:46:08,535 --> 00:46:12,118 (rain patters on the roof) 637 00:46:18,694 --> 00:46:21,444 (birds chirping) 638 00:46:24,490 --> 00:46:26,620 The story of Dr. Reefy and his association 639 00:46:26,620 --> 00:46:30,300 with Mrs. Elizabeth Walker is a very curious story. 640 00:46:30,300 --> 00:46:32,090 It is delicious. 641 00:46:32,090 --> 00:46:33,880 Like the twisted little apples, 642 00:46:33,880 --> 00:46:36,253 they grow in the backyards of Chicago Heights. 643 00:46:37,750 --> 00:46:40,710 The apples have been taken from the trees by children. 644 00:46:40,710 --> 00:46:43,390 On the trees are only a few gnarled apples 645 00:46:43,390 --> 00:46:45,370 that they have rejected. 646 00:46:45,370 --> 00:46:48,960 One nibbles at them and they are delicious. 647 00:46:48,960 --> 00:46:51,120 Into a little round place at the side of the apple 648 00:46:51,120 --> 00:46:53,070 has been gathered all of its sweetness. 649 00:46:54,410 --> 00:46:57,010 Only a few know the sweetness of the twisted apples. 650 00:47:12,860 --> 00:47:14,410 After his wife's death, 651 00:47:14,410 --> 00:47:17,900 Dr. Eli Reefy worked all day, every day. 652 00:47:17,900 --> 00:47:20,550 Alone in his home office on Black Hawk Drive, 653 00:47:20,550 --> 00:47:24,320 near Lincoln Highway, the therapist worked ceaselessly 654 00:47:24,320 --> 00:47:26,743 building up something that he himself destroyed. 655 00:47:27,580 --> 00:47:31,030 Little pyramids of truth he erected and after erecting 656 00:47:31,030 --> 00:47:32,480 knocked them down again. 657 00:47:32,480 --> 00:47:35,463 That he might have the truth to erect other pyramids. 658 00:47:36,490 --> 00:47:38,600 Dr. Reefy had a habit of writing little truths 659 00:47:38,600 --> 00:47:41,270 about people on scraps of paper. 660 00:47:41,270 --> 00:47:42,810 He stuffed the truths in the pockets 661 00:47:42,810 --> 00:47:44,680 of his one tweed jacket. 662 00:47:44,680 --> 00:47:46,000 When the pockets were filled 663 00:47:46,000 --> 00:47:47,713 he dumped them out upon the floor. 664 00:47:50,350 --> 00:47:52,330 Mrs. Elizabeth Walker and Dr. Reefy 665 00:47:52,330 --> 00:47:55,330 began what we shall characterize as an odd courtship 666 00:47:55,330 --> 00:47:56,430 on a summer afternoon. 667 00:47:57,550 --> 00:48:00,870 When he met her she was already fatally ill, 668 00:48:00,870 --> 00:48:02,773 but she came to life in his presence. 669 00:48:05,233 --> 00:48:06,473 - I had come to a point in time in my life 670 00:48:06,473 --> 00:48:08,960 when prayer became necessary, 671 00:48:08,960 --> 00:48:12,073 so I invented gods and I prayed to them. 672 00:48:13,200 --> 00:48:15,210 I didn't say my prayer in words 673 00:48:15,210 --> 00:48:16,523 nor did I kneel down. 674 00:48:17,810 --> 00:48:19,783 I sat perfectly still in my chair. 675 00:48:21,380 --> 00:48:24,690 It was an experience that I really can't explain. 676 00:48:24,690 --> 00:48:26,480 Though I suppose it happens to men and women 677 00:48:26,480 --> 00:48:27,823 in all sorts of places. 678 00:48:32,507 --> 00:48:35,174 (fan whooshing) 679 00:49:01,825 --> 00:49:04,492 (knock on door) 680 00:49:23,030 --> 00:49:24,000 - [Narrator] Always, there was something 681 00:49:24,000 --> 00:49:26,060 Elizabeth saw blindly, 682 00:49:26,060 --> 00:49:29,300 passionately, the hidden wonder in life. 683 00:49:29,300 --> 00:49:31,250 And all the babble of words that fell 684 00:49:31,250 --> 00:49:34,070 from the lips of the men who opened her presents 685 00:49:34,070 --> 00:49:36,830 in that perpetual Christmas under the church. 686 00:49:36,830 --> 00:49:37,880 She was trying to find 687 00:49:37,880 --> 00:49:41,035 what would be for her the true word. 688 00:49:41,035 --> 00:49:43,616 - [Man] God. You are beautiful. 689 00:49:43,616 --> 00:49:46,207 Oh, my God. You are beautiful. 690 00:49:46,207 --> 00:49:47,453 (Elizabeth moans) 691 00:49:47,453 --> 00:49:49,953 Oh, my God. You are beautiful. 692 00:49:51,040 --> 00:49:53,540 Oh, my God. You are beautiful. 693 00:49:56,308 --> 00:49:57,141 God. You are beautiful. 694 00:49:57,141 --> 00:50:00,449 - [Elizabeth] I don't think anybody else 695 00:50:00,449 --> 00:50:01,723 ever truly loved me. 696 00:50:02,690 --> 00:50:05,727 - [Man] Oh, my God. You are beautiful. 697 00:50:07,160 --> 00:50:12,160 - [Elizabeth] You saw exactly who I hoped and wanted to be. 698 00:50:19,490 --> 00:50:22,040 - You must not try to make love definite, 699 00:50:22,040 --> 00:50:24,450 it's a divine accident of life. 700 00:50:24,450 --> 00:50:25,962 If you try to be sure about it, 701 00:50:25,962 --> 00:50:28,379 you're gonna be disappointed. 702 00:50:30,573 --> 00:50:32,657 (door slams) 703 00:50:32,657 --> 00:50:37,430 - I went to bed last night and I started thinking. 704 00:50:37,430 --> 00:50:39,920 I thought about you going up with all these people, 705 00:50:39,920 --> 00:50:43,277 these drifters passing through the house. 706 00:50:43,277 --> 00:50:45,033 - I'm just fine, father. 707 00:50:46,134 --> 00:50:47,884 - I'm worried about you, Elizabeth. 708 00:50:52,940 --> 00:50:55,263 Marriage isn't what it's cracked up to be. 709 00:50:56,430 --> 00:50:57,663 Don't do it. 710 00:50:58,867 --> 00:51:01,587 You'll be stuck here in Chicago Heights 711 00:51:01,587 --> 00:51:02,950 the rest of your life. 712 00:51:02,950 --> 00:51:05,080 - And then I was married and... 713 00:51:06,890 --> 00:51:09,640 just didn't work out at all. 714 00:51:09,640 --> 00:51:12,900 Maybe I just knew too much about him before then and... 715 00:51:16,560 --> 00:51:19,010 maybe I just found out way too much about 'em 716 00:51:19,010 --> 00:51:20,233 during that first night. 717 00:51:23,428 --> 00:51:25,063 I'm such a damn fool. 718 00:51:26,226 --> 00:51:28,403 It wasn't Tom Walker that I wanted, 719 00:51:29,630 --> 00:51:31,093 it was marriage. 720 00:51:32,450 --> 00:51:35,006 I didn't like 'em. 721 00:51:35,006 --> 00:51:36,593 He always smelled like paint. 722 00:51:37,860 --> 00:51:42,860 Look, I'm not a ho, but there were so many stories 723 00:51:44,210 --> 00:51:46,103 around Chicago Heights about me. 724 00:51:48,140 --> 00:51:52,923 It was cloudy one day and a storm was coming. 725 00:51:54,600 --> 00:51:57,580 Black clouds made the green of the trees 726 00:51:57,580 --> 00:52:00,640 and the grass standout, so that the colors... 727 00:52:02,070 --> 00:52:03,993 The colors hurt my eyes. 728 00:52:08,550 --> 00:52:09,740 The thoughts had began to come, 729 00:52:09,740 --> 00:52:13,777 and I just wanted to get away from 'em. 730 00:52:15,514 --> 00:52:16,880 So I began to peddle harder 731 00:52:16,880 --> 00:52:21,880 and I wanted to go at a terrible speed. 732 00:52:24,250 --> 00:52:25,743 I wanted to get out of town. 733 00:52:27,499 --> 00:52:29,483 I wanted to get out of my clothes. 734 00:52:30,800 --> 00:52:32,900 I wanted to get out of my marriage. 735 00:52:32,900 --> 00:52:35,180 I wanted to get out of my body. 736 00:52:35,180 --> 00:52:37,760 I wanted out of everything. 737 00:52:37,760 --> 00:52:39,083 I peddled hard. 738 00:52:40,299 --> 00:52:41,132 I peddled hard. 739 00:52:41,132 --> 00:52:45,260 I peddled so hard that my legs began to hurt, 740 00:52:45,260 --> 00:52:49,070 and when I couldn't peddle any more I got off 741 00:52:49,070 --> 00:52:50,006 and I fell. 742 00:52:50,006 --> 00:52:53,820 I fell on the ground and it... (crying) 743 00:52:59,898 --> 00:53:03,398 I just wanted to run away from everything. 744 00:53:09,250 --> 00:53:11,803 But I wanted to run towards something too. 745 00:53:15,340 --> 00:53:20,153 Don't you see, darling? Don't you see how it was? 746 00:53:23,447 --> 00:53:25,440 I cried all the way home. 747 00:53:29,291 --> 00:53:31,156 - You are a beautiful, beautiful woman. 748 00:53:31,156 --> 00:53:31,989 (newspaper smacks step) 749 00:53:31,989 --> 00:53:33,072 So beautiful. 750 00:53:33,917 --> 00:53:36,750 (Elizabeth gasps) 751 00:53:37,960 --> 00:53:40,410 (door slams) 752 00:53:40,410 --> 00:53:42,500 (Elizabeth crying) 753 00:53:42,500 --> 00:53:44,060 - [Narrator] The thing that had come to life in her 754 00:53:44,060 --> 00:53:46,533 as she talked to Dr. Reefy died suddenly. 755 00:53:47,410 --> 00:53:49,260 Along the street she went 756 00:53:49,260 --> 00:53:51,810 with the blood still singing in her body, 757 00:53:51,810 --> 00:53:55,494 crying so hard that she feared she might fall. 758 00:53:55,494 --> 00:54:00,494 - [Elizabeth] Okay. (crying) 759 00:54:02,853 --> 00:54:06,020 (train whistle blows) 760 00:54:15,970 --> 00:54:16,803 - [Narrator] The sick woman 761 00:54:16,803 --> 00:54:18,160 spent the last few months of her life 762 00:54:18,160 --> 00:54:19,453 hungering for death. 763 00:54:23,430 --> 00:54:27,180 Elizabeth faded one day in August in the year when her son, 764 00:54:27,180 --> 00:54:30,380 Nathan, was becoming a man, but was still so young 765 00:54:30,380 --> 00:54:33,623 that he had but little sense of what was happening. 766 00:54:34,580 --> 00:54:36,080 Only time would give him that. 767 00:54:41,722 --> 00:54:44,722 (rain pouring down) 768 00:54:58,050 --> 00:55:01,480 Before she died, Elizabeth laid paralyzed for six days, 769 00:55:01,480 --> 00:55:03,310 unable to speak or move. 770 00:55:03,310 --> 00:55:06,260 And with only her mind and her eyes alive. 771 00:55:06,260 --> 00:55:08,400 For three of the six days she struggled, 772 00:55:08,400 --> 00:55:09,710 thinking of her boy, 773 00:55:09,710 --> 00:55:13,290 trying to say some few words in regards to his future. 774 00:55:13,290 --> 00:55:16,220 And in her eyes there was an appeal so touching 775 00:55:16,220 --> 00:55:19,330 that all who saw it kept a memory of the dying woman 776 00:55:19,330 --> 00:55:20,733 in their mind for years. 777 00:55:26,168 --> 00:55:30,251 (claws clicking along the floor) 778 00:55:33,484 --> 00:55:36,234 (rain pattering) 779 00:56:00,124 --> 00:56:03,124 (floorboards creak) 780 00:56:05,325 --> 00:56:08,742 (footsteps tap on floor) 781 00:56:23,050 --> 00:56:25,740 The body under the sheets was long and in death 782 00:56:25,740 --> 00:56:27,700 looked young and graceful. 783 00:56:27,700 --> 00:56:31,120 To the boy, it was unspeakably lovely. 784 00:56:31,120 --> 00:56:33,670 He began to think that the body before him 785 00:56:33,670 --> 00:56:35,123 was breathing and alive. 786 00:56:36,550 --> 00:56:38,870 In the dining room with his dead mother, 787 00:56:38,870 --> 00:56:41,490 the young man began to have thoughts. 788 00:56:41,490 --> 00:56:44,810 His mind hungered for life the way his mother's mind 789 00:56:44,810 --> 00:56:46,053 had hungered for death. 790 00:56:46,956 --> 00:56:48,303 He closed his eyes. 791 00:56:49,757 --> 00:56:52,978 (rain pouring down) 792 00:56:52,978 --> 00:56:57,145 (thunder rumbles in the distance) 793 00:57:14,578 --> 00:57:17,161 (Nathan moans) 794 00:57:21,114 --> 00:57:23,697 (Nathan cries) 795 00:57:25,303 --> 00:57:28,303 (floorboards creak) 796 00:57:39,254 --> 00:57:41,921 - That's not my mother in there. 797 00:57:45,654 --> 00:57:48,321 That's not my mother in there. 798 00:58:15,544 --> 00:58:18,211 (hopeful music) 799 00:58:28,904 --> 00:58:31,904 (alarm clock beeps) 800 00:58:32,894 --> 00:58:36,795 ♪ Where do we go from here ♪ 801 00:58:36,795 --> 00:58:41,173 ♪ When all we have is fear ♪ 802 00:58:41,173 --> 00:58:45,433 ♪ How do we dedicate ♪ 803 00:58:45,433 --> 00:58:49,733 ♪ If we don't have the faith ♪ 804 00:58:49,733 --> 00:58:53,852 ♪ How can we consecrate ♪ 805 00:58:53,852 --> 00:58:58,192 ♪ When we are too afraid ♪ 806 00:58:58,192 --> 00:59:00,832 ♪ We need a new world ♪ 807 00:59:00,832 --> 00:59:05,832 ♪ A change on Lincoln Highway ♪ 808 00:59:06,778 --> 00:59:09,140 ♪ We need a new world ♪ 809 00:59:09,140 --> 00:59:13,531 ♪ A change on Lincoln Highway ♪ 810 00:59:13,531 --> 00:59:15,001 - [Man] Where do we go from here? 811 00:59:15,001 --> 00:59:17,460 ♪ Where do we go from here ♪ 812 00:59:17,460 --> 00:59:19,340 On this Lincoln Highway. 813 00:59:19,340 --> 00:59:22,182 ♪ If all we have is fear ♪ 814 00:59:22,182 --> 00:59:23,643 How can we dedicate? 815 00:59:23,643 --> 00:59:26,691 ♪ How can we dedicate ♪ 816 00:59:26,691 --> 00:59:27,889 When we have no faith? 817 00:59:27,889 --> 00:59:30,681 ♪ When we don't have the faith ♪ 818 00:59:30,681 --> 00:59:32,203 How can we consecrate? 819 00:59:32,203 --> 00:59:36,081 ♪ How can we consecrate ♪ 820 00:59:36,081 --> 00:59:39,042 ♪ A place we want to be safe ♪ 821 00:59:39,042 --> 00:59:41,340 ♪ We need a new world now ♪ 822 00:59:41,340 --> 00:59:43,649 ♪ We need a new world ♪ 823 00:59:43,649 --> 00:59:47,146 ♪ A change on Lincoln Highway ♪ 824 00:59:47,146 --> 00:59:48,738 ♪ We all need a ♪ 825 00:59:48,738 --> 00:59:51,431 ♪ We need a new world ♪ 826 00:59:51,431 --> 00:59:55,694 ♪ A change on Lincoln Highway ♪ 827 00:59:55,694 --> 00:59:57,298 ♪ Where do we go from here ♪ 828 00:59:57,298 --> 01:00:00,184 ♪ Where do we go from here ♪ 829 01:00:00,184 --> 01:00:03,684 ♪ On this Lincoln Highway ♪ 830 01:00:04,607 --> 01:00:05,540 (knock on door) 831 01:00:05,540 --> 01:00:06,440 - Professor Swift? 832 01:00:09,313 --> 01:00:10,603 I wrote another story. 833 01:00:15,902 --> 01:00:17,858 - That's good. 834 01:00:17,858 --> 01:00:19,858 - I want you to read it. 835 01:00:22,327 --> 01:00:23,707 - No. 836 01:00:23,707 --> 01:00:25,290 I'm sorry, I can't. 837 01:00:27,578 --> 01:00:28,411 - But I just wrote- 838 01:00:28,411 --> 01:00:29,411 - I'm sorry. 839 01:00:31,736 --> 01:00:33,785 ♪ We need a new world ♪ 840 01:00:33,785 --> 01:00:37,618 ♪ A change on Lincoln highway ♪ 841 01:00:39,165 --> 01:00:41,498 - Fornication, twice a week. 842 01:00:43,323 --> 01:00:45,048 ♪ Come sing ♪ 843 01:00:45,048 --> 01:00:47,999 ♪ Oh, yeah ♪ 844 01:00:47,999 --> 01:00:50,424 ♪ We need a new world ♪ 845 01:00:50,424 --> 01:00:55,195 ♪ A change on Lincoln Highway ♪ 846 01:00:55,195 --> 01:00:56,362 ♪ We need a new world, yeah ♪ 847 01:00:56,362 --> 01:00:58,841 ♪ We need a new world ♪ 848 01:00:58,841 --> 01:01:02,674 ♪ A change on Lincoln Highway ♪ 849 01:01:15,795 --> 01:01:18,962 (train whistle blows) 850 01:01:21,730 --> 01:01:24,480 (birds chirping) 851 01:01:46,490 --> 01:01:49,990 (train station PA blares) 852 01:01:52,120 --> 01:01:55,690 - [Narrator] The young man riding downtown began to think, 853 01:01:55,690 --> 01:01:58,770 but he did not think of anything very big or traumatic, 854 01:01:58,770 --> 01:02:01,440 things like his mother's death, his adventured departure 855 01:02:01,440 --> 01:02:05,290 from Chicago Heights, the uncertainty of his future life. 856 01:02:05,290 --> 01:02:07,360 The serious and larger aspects of his life 857 01:02:07,360 --> 01:02:09,540 did not come into his mind. 858 01:02:09,540 --> 01:02:10,940 He thought of little things. 859 01:02:12,470 --> 01:02:15,453 Nathan Walker closed his eyes, and leaned back in his seat. 860 01:02:17,090 --> 01:02:17,923 One looking at him 861 01:02:17,923 --> 01:02:20,220 would not have thought him particularly sharp. 862 01:02:23,010 --> 01:02:25,710 He stayed that way for a long time 863 01:02:25,710 --> 01:02:27,550 and when he aroused himself later 864 01:02:27,550 --> 01:02:30,350 and again looked out of the train window. 865 01:02:30,350 --> 01:02:33,620 The excerpt of Chicago Heights had disappeared 866 01:02:33,620 --> 01:02:36,370 and his life there had become but a background 867 01:02:36,370 --> 01:02:38,720 on which to paint the dreams of his manhood. 868 01:02:43,171 --> 01:02:45,921 (dramatic music) 869 01:03:02,911 --> 01:03:07,911 ♪ Someone broke my heart and ♪ 870 01:03:07,940 --> 01:03:12,107 ♪ Tore me apart ♪ 871 01:03:12,107 --> 01:03:16,462 ♪ Someone told a lie ♪ 872 01:03:16,462 --> 01:03:21,158 ♪ That a man should never cry ♪ 873 01:03:21,158 --> 01:03:25,422 ♪ Now I'm so much older ♪ 874 01:03:25,422 --> 01:03:30,189 ♪ And my heart has grown colder ♪ 875 01:03:30,189 --> 01:03:34,178 ♪ I can see ♪ 876 01:03:34,178 --> 01:03:36,178 ♪ That it was a lie ♪ 877 01:03:36,178 --> 01:03:38,808 ♪ But this is what I had to do ♪ 878 01:03:38,808 --> 01:03:42,003 ♪ Wake up, children, wake up ♪ 879 01:03:42,003 --> 01:03:43,641 ♪ Come on, wake up, y'all ♪ 880 01:03:43,641 --> 01:03:47,594 ♪ Wake up, uh-oh, people, wake up ♪ 881 01:03:47,594 --> 01:03:50,005 ♪ Walk into the light ♪ 882 01:03:50,005 --> 01:03:51,954 ♪ Walk into the light ♪ 883 01:03:51,954 --> 01:03:54,205 ♪ Oh, yeah, yeah, oh ♪ 884 01:03:54,205 --> 01:03:56,542 ♪ 'Cause what I had to do is wake up ♪ 885 01:03:56,542 --> 01:03:59,739 ♪ Wake up, children, wake up ♪ 886 01:03:59,739 --> 01:04:01,222 ♪ Wake up ♪ 887 01:04:01,222 --> 01:04:02,213 ♪ Wake up ♪ 888 01:04:02,213 --> 01:04:03,046 ♪ People ♪ 889 01:04:03,046 --> 01:04:04,196 ♪ People, wake up ♪ 890 01:04:04,196 --> 01:04:06,996 ♪ Walk into the light ♪ 891 01:04:06,996 --> 01:04:09,624 ♪ Walk into the light ♪ 892 01:04:09,624 --> 01:04:13,873 ♪ Hey, yeah ♪ 893 01:04:13,873 --> 01:04:15,137 ♪ Oh ♪ 894 01:04:15,137 --> 01:04:15,970 ♪ Uh-oh ♪ 895 01:04:15,970 --> 01:04:17,027 ♪ Oh ♪ 896 01:04:17,027 --> 01:04:17,860 ♪ Uh-oh ♪ 897 01:04:17,860 --> 01:04:19,275 ♪ Oh ♪ 898 01:04:19,275 --> 01:04:20,358 ♪ Uh-oh ♪ 899 01:04:20,358 --> 01:04:21,574 ♪ Oh ♪ 900 01:04:21,574 --> 01:04:22,665 ♪ Uh-oh ♪ 901 01:04:22,665 --> 01:04:23,993 ♪ Oh ♪ 902 01:04:23,993 --> 01:04:24,826 ♪ Walk in it ♪ 903 01:04:24,826 --> 01:04:27,455 ♪ Walk into the light ♪ 904 01:04:27,455 --> 01:04:31,333 ♪ Hey, yeah, oh ♪ 905 01:04:31,333 --> 01:04:33,249 ♪ Oh ♪ 906 01:04:33,249 --> 01:04:34,340 ♪ Oh ♪ 907 01:04:34,340 --> 01:04:35,173 ♪ Uh-oh ♪ 908 01:04:35,173 --> 01:04:36,006 ♪ Do it ♪ 909 01:04:36,006 --> 01:04:36,839 ♪ Oh ♪ 910 01:04:36,839 --> 01:04:37,814 ♪ Yeah ♪ 911 01:04:37,814 --> 01:04:38,647 ♪ Oh ♪ 912 01:04:38,647 --> 01:04:39,598 ♪ Uh-oh ♪ 913 01:04:39,598 --> 01:04:41,737 ♪ Yeah ♪ 914 01:04:41,737 --> 01:04:44,278 ♪ Walk into the light ♪ 915 01:04:44,278 --> 01:04:45,471 ♪ Oh ♪ 916 01:04:45,471 --> 01:04:48,636 (hands clapping) 917 01:04:48,636 --> 01:04:51,053 (vocalizing) 918 01:04:51,962 --> 01:04:56,962 ♪ Wake up, children ♪ 919 01:04:58,962 --> 01:05:01,462 ♪ Walk into the light ♪ 920 01:05:01,462 --> 01:05:05,276 ♪ Oh, you stop lying, everybody ♪ 921 01:05:05,276 --> 01:05:06,659 ♪ Oh ♪ 922 01:05:06,659 --> 01:05:07,492 ♪ Oh ♪ 923 01:05:07,492 --> 01:05:08,325 ♪ Oh ♪ 924 01:05:08,325 --> 01:05:09,268 ♪ Uh-oh ♪ 925 01:05:09,268 --> 01:05:10,101 ♪ Yeah ♪ 926 01:05:10,101 --> 01:05:11,701 ♪ Oh ♪ 927 01:05:11,701 --> 01:05:13,809 ♪ Oh, uh-oh ♪ 928 01:05:13,809 --> 01:05:14,939 ♪ Oh ♪ 929 01:05:14,939 --> 01:05:15,802 ♪ Walk into ♪ 930 01:05:15,802 --> 01:05:17,919 ♪ Walk into the light ♪ 931 01:05:17,919 --> 01:05:21,886 ♪ Walk into the light, yeah ♪ 932 01:05:21,886 --> 01:05:26,067 ♪ Oh, oh, uh-oh ♪ 933 01:05:26,067 --> 01:05:30,040 ♪ Oh, oh, uh-oh ♪ 934 01:05:30,040 --> 01:05:32,109 ♪ Uh-oh ♪ 935 01:05:32,109 --> 01:05:35,485 ♪ Walk into the light ♪ 936 01:05:35,485 --> 01:05:38,436 ♪ Oh, you don't have to keep killing ♪ 937 01:05:38,436 --> 01:05:42,247 ♪ Oh, oh, oh ♪ 938 01:05:42,247 --> 01:05:44,737 ♪ You don't have to leave Chicago Heights ♪ 939 01:05:44,737 --> 01:05:47,045 ♪ Oh, oh, uh-oh ♪ 940 01:05:47,045 --> 01:05:49,003 ♪ Oh ♪ 941 01:05:49,003 --> 01:05:51,254 ♪ Walk into the light ♪ 942 01:05:51,254 --> 01:05:55,556 ♪ Oh, yeah ♪ 943 01:05:55,556 --> 01:05:57,806 ♪ Wake up ♪